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Ecology Literature Reviews Samples For Students
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Do you feel the need to examine some previously written Literature Reviews on Ecology before you get down to writing an own piece? In this open-access collection of Ecology Literature Review examples, you are granted a fascinating opportunity to discover meaningful topics, content structuring techniques, text flow, formatting styles, and other academically acclaimed writing practices. Exploiting them while composing your own Ecology Literature Review will surely allow you to complete the piece faster.
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Fecal Microbiota Transplantation As Potential Therapeutic Intervention For Obesity Literature Reviews Examples
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Antarctica may not sound like the greatest vacation spot for most people but many tourists ready for a challenge head there during the South Pole’s summer season. Tourism has been increasing since the first visitors to Antarctica despite the difficulties reaching the place. The freezing temperatures are not enough to slow the dedicated traveler away either.
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Essay Review: Exploring the Borders of Environmental History and the History of Ecology
1997, Journal of The History of Biology
Abstract. ‘Wilderness’ is a concept which has undergone a radical change in recent years. Owing to the scale of global destruction of the natural environment and, hence, of the wilderness and its various ecosystems, the idea of wilderness has been transformed from its original negative sense as an Other into a matter of public concern. A growing awareness of the irreversible implications of the destruction of natural spaces has shaped a new sensibility for our dependency on nature; it has also replaced the understanding of ‘wilderness’ not only as a place but as a category closely linked with the development of human culture and whose ecological sign processes need to be carefully interpreted. As the result of human practice and representation, nature is thus also political. Models and concepts of nature in the creative arts can hence be said to be indicative of a certain culture’s relationship with nature, as they communicate prevailing ideologies. This is particularly pertinent to concepts of nature in Canada where wilderness includes vast tracts of forests, lakes and an Arctic North, which has led to a distinctively Canadian relationship between Canadians and their natural environment. The change in the literary representations of interactions between humankind and environment in Canadian fiction - from the ‘double vision’ resulting from the view of the wilderness both as a threatening Other and free space; to the view of threatened nature as a means of identification; and, finally, as a postmodern place of transgression and possibility - invites questions about both the semiotic threshold between nature and culture, and about the function of boundaries in the constitution of identity.
American Studies in Scandinavia
Environment and History
One of the most significant and unique contributions of American literature to world literature has been its articulation of the aesthetic, ethical, political and spiritual values of wild nature. Typically such values are discovered when the author partakes of a solitary excursion into a more-or-less pristine wilderness. Very early encounters with the North American landscape tended to record the "morning freshness of the continent" (Lyon, 16) and the abundance of nature. Later writers noticed, however, gaps and missing pages in nature's text, and writers of the twentieth century often found themselves writing to defend some embattled natural area. Writers of the twenty first century appear to be facing a still different landscape; one that is now so thoroughly imbued with the human that it seems a new set of rhetorical skills and tropes are needed to articulate the values of "wildness" for a new age. The ability of contemporary nature writers to find a clea...
Chris Dunn, PhD
In 1922 Aldo Leopold embarked on a journey to explore the Colorado River Delta – an intricate spiderweb of channels where " the river was nowhere and everywhere, for he [the river] could not decide which of a hundred green lagoons offered the most pleasant and least speedy path to the Gulf. So he traveled them all, and so did we. He divided and rejoined, he twisted and turned, he meandered in awesome jungles, he all but ran in circles, he dallied with lovely groves, he got lost and was glad of it, and so were we. " 1 Leopold witnessed a lush world of bobcats, deer, raccoons, coyotes, the elusive jaguar, and all variety of birds – duck, quail, geese, cranes and egrets. At the conclusion of describing his two-week-long trip paddling, camping, and cooking freshly hunted game over fragrant mesquite fires he asks the opening question. We are aware of course that we live in a world very different to that when Leopold explored the Delta and later wrote about it in The Sand County Almanac, first published in 1945. The Colorado today almost never reaches the sea, at times ending nearly 100 miles short. Many of the world's landscapes, such as the Colorado River Delta, are significantly altered. Yet we also have areas legally protected in their natural state as designated wilderness. Leopold was instrumental in the creation of the Gila Wilderness in New Mexico, the first American wilderness. It would later become formally designated under the Wilderness Act of 1964 which ensures that some lands remain undeveloped and untrammeled. We should be grateful for the Wilderness Act and other protections afforded to wilderness and wild lands. Yet the world has continued on its relentless path of change with landscapes beyond the borders of protected wilderness changing much as the Colorado River Delta has. Meanwhile the development of the Internet and its various sibling forms of information technology has altered our human world, more so than perhaps anything else in recent history. Technology, specifically information technology, does endow us with many freedoms, for instance a previously unknown convenience, instantaneity, and access to the vast wealth of knowledge and information which the collective efforts of humanity have brought online. However as we have been swept away by the allure – the new freedoms – that these technologies provide, I fear many of us have forgotten to consider of what avail, to what end, are these technologies directed, particularly as they relate to wilderness and other wild areas. These places, largely spared from the developments present on so much of the Earth such as clear cutting or road intrusion, have nevertheless been shaped by technological developments. Perhaps less noticeable, I will argue that technology has been similarly degrading to wilderness and wildness – we are losing blank spots on the map.
C. Michael Hall
SMART M O V E S J O U R N A L IJELLH
Fed up with the modern materialistic society, Chris McCandless, an American youth goes for a great adventure into the Alaskan wild which ends with his tragic death. This paper attempts to bring out the existential crisis experienced by Chris pursuant to his rejection of the modern American Dream and, his attempt to find his true identity in the wilderness. To Chris, nature was the right place to experience life in all its true essence. Unable to understand the pulse and nature of the wild, Chris gets trapped in the labyrinth of the wild. The life of Chris hands a lesson for all mankind that man is merely a tiny speck in the universe. Using theories of eco-criticism and transcendentalism, this paper also explores the sovereign status of nature with respect to human deficiencies and limitations. Keywords: contrast to the American dream, Existentialism, search for identity, Eco-criticism, Transcendentalism.
Ian K . Jensen
Journal of Historical Sociology 32:1
George L Scheper
Ethics, Place & Environment
Choice Reviews Online
Ethics, Policy & Environment
Ethics and The Environment
Ethics & the Environment
SF McCool, Cole, D, N., Borrie, WT, O'Loughlin, J.,( …
Wilderness in Mythology and Religion
Bron R Taylor
Interdisciplinary Studies in Literature and Environment
Kevin M DeLuca
Daniel S Soucier
Journal of Political Ecology
Environmental and Earth Law Journal
Notes: We recommend that you also print this page and …
Kevin A Gould
Yearbook of the Association of Pacific Coast Geographers
Michael W Pesses
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- Published: June 1994
Essay review: The history of ecology
- Sharon E. Kingsland 1
Journal of the History of Biology volume 27 , pages 349–357 ( 1994 ) Cite this article
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History of Science Department, Johns Hopkins University, 21218, Baltimore, Maryland
Sharon E. Kingsland
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Joel B. Hagen, An Entangled Bank: The Origins of ecosystem Ecology (New Brunswick, N.J.: Rutgers University Press, 1992); Gregg Mitman, The State of Nature: Ecology, Community, and American Social Thought, 1900–1950 (Chicago and London: University of Chicago Press, 1992) .
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Kingsland, S.E. Essay review: The history of ecology. J Hist Biol 27 , 349–357 (1994). https://doi.org/10.1007/BF01062566
Issue Date : June 1994
DOI : https://doi.org/10.1007/BF01062566
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Ecology in Art: A Literature Review
Ballard, S. (2017). New ecological sympathies: Thinking about contemporary art in the age of extinction. Environmental Humanities , 9 (2), 255-279. Web.
Ballard utilizes the study of human-animals-machines relationships in H. Bergson’s and S. Butler’s essays to present the contemporary artistic method of species extinction imagery. He introduces video and installation art as a tool to arouse sympathy in the viewer.
The article supports my research paper by presenting eco-artists P. Huyghe, A. Lislegaard, and H. Fowler and their artwork. It provides a unique vision of an art gallery as the space to explore the boundaries of sympathy. Ecological issues such as species extinction occurred as one of the most disturbing problems presented in eco-art.
Carroll, B. (2017). A role for art in ecological thought. Concentric: Literary and Cultural Studies 43 (1), 145-164. Web.
It is a thoughtful analysis of the problem of natural or artificial in ecological art. The works of three philosophers T. Morton, L. Bryant, and S. Žižek constructed the base to explain the messages of contemporary Chinese artists that provide their unique vision on environmental issues.
The article introduces Chinese artists Ren Jie, Leo Xu, Cai Guo Qiang, and Vietnamese-born artist Binh Danh. The ecological issues are represented in the biomimicry of design and integration with nature.
Cucuzzella, C. (2021). Making the invisible visible: Eco-art and design against the Anthropocene. Sustainability, 13 (7), 3747. Web.
Cucuzzella examines the Anthropocene imagery in art and design installations and their educational value. She concludes that artworks could be eyes openers, raise awareness and change people’s conduct. However, the works rarely propose solutions to make systematic changes.
The article is relevant to my work as it presents a range of exhibitions and the analysis of their eco-messages. The artists represented there are G. Beaulieu, A. Polli, C. Varga, A. Pozzi, etc.
Cucuzzella, C., Chupin, J. P., & Hammond, C. (2020). Eco-didacticism in art and architecture: Design as means for raising awareness. Cities , 102, 102728. Web.
The authors of the article investigate the cross-disciplined issue of eco-art installation and its deductive power. Starting from a brief history of eco-art, the authors move to the explanation of such eco-lesson peculiarities. They focus on urban landscapes’ eco-messages and study their forms and methods of delivering information about ecological issues to the audience.
The authors trace back ecological awareness to the 60s with Land Art and name important artists, such as R. Smithson, M. Heizer, W. de Maria, M. Miss, M. Creates, the Particle Works collective, J. Gural, E. Nuyts, and A. Ikan, etc. with their most striking works. In addition, the article contains a summary of eco-messages from the artists with explanations.
Gilmurray, J. (2017). Ecological sound art: Steps towards a new field. Organized Sound , 22 (1), 32. Web.
The article establishes the need to recognize sound artists as representatives of an ecological sound art field. Gilmurray explores the ways sound could be connected with environmental issues. In addition, he shows the power of sound art as a form of eco-promotion in the frames of contemporary ecological theory.
My research on ecology in art is enriched by the names of D. Monacchi, L. Barclay, A. Polli, M. Burtner, D. Dunn, and J. Winderen, etc. The trend in sound art is also represented through the Ear to the Earth festival, an activism network EcoSono , and EcoSono Institute. The sound facilitates awareness of extinction, dangerous ice-melting, harmonious coexistence, sensitivity to nature, and so on.
Machotka, E. (2018). Consuming eco-art: Satoyama at the Echigo-Tsumari Art Triennale 2012. In K. J. Cwiertka & E. Machotka (Eds.), Consuming Life in Post-Bubble Japan (pp. 215-236). Amsterdam University Press. Web.
The article explores a pro-ecological ideology of satoyama (“village mountain”). It points out the significance of harmony between people and nature. Focusing on the example of the art festival in Japan, the author investigates its ties with socially engaged art and sustainable art and analyses some works of eco-artists.
The source is useful for my research as it determines the new environmental activism term “satoyama.” It provides information on valuable art installations, such as Australia House by A. Burns, Gejō kayabuki no tō by Mikan + Sogabe Lab, etc. In addition to art messages, there is an overview of the festival’s crucial role in local ecological sustainability.
Meenar, M., & Howell, T. (2019). Exploring environmental issues using eco-art. Open Educational Resources , 17 . Web.
As a teaching activity plan, the work guides how to encourage students’ interest in eco-art projects. The authors provide lesson steps that include reviewing the prominent environmental art projects, community-oriented art, and case studies on such artwork’s influence on understanding ecological issues.
The work serves as an example of the deductive power of eco-art. The valuable pieces represented there, such as Landscape of Change by J. Pelto, Lines (57° 59′ N, 7° 16’W) by P. Niittyvirta, and T. Aho, Unmoored by M. Chin are designed with the use of cutting-edge technologies (big data, LED sensors, VR).
Raducanu, M. (2016). Eco-art. Romanian Economic and Business Review , 11 (4), 39-43. Web.
The article represents a brief history of eco-art development from the concept of Land Art (USA) to the 2012 conference in Japan regarding Land Art. Raducanu shows that eco-art could be seen in various forms and materials, be complex and minimalistic, elaborate and simplistic.
The source introduces Japanese artists M. Ando, M. Mizuno, C. Shiota, I. Yamada, and Romanian eco-artwork representatives S. Bertalan, W. Mihuleac, D. Popa, D. Dup. The artworks include flower installations, ceramics, drawings, photography, etc.
Sheren, I. (2020). Troubling the waters of neutrality: Eco-art as an identity proposition. Afterimage: The Journal of Media Arts and Cultural Criticism , 47 (2), 28-34. Web.
Sheren analyses Indian artist Vibha Galhotra’s work and argues that utilizing a non-Western perspective on ecology could provide valuable insights into climate change. The object of observation is Galhotra’s video Manthan (2015). The author reveals the references to Hindu mythology and discusses the issue of the sacred’s toxic sublime and political exploitation.
The research gets one more dimension: films as a form of eco-art. In addition, the list of environmental issues depicted in the artwork is complemented by the contradictory logic of religious resistance to intervention in the sacred.
Wołek, M. (2019). Ecological art and its main thesis. Zeszyty Naukowe Politechniki Śląskiej. Seria Organizacja i Zarządzanie, 141 (2019), 429-442. Web.
The topic of eco-art is presented in the article by analyzing the disproportion between the status of the issue and the mediocre place that such artworks occupy nowadays. The author refers to the Nietzschean paradox to explain that problem.
The article outlines crucial eco-publications, such as Bulletin of the Atomic Scientists, Silent Spring, Population Bomb, The Limits to Growth , etc., and the pro-ecological movement of Arne Næss’ deep ecology. Ecological art is represented in the works of H. Haacke, H. Harrison, and N. Harrison, M. Chin, C. Malik.
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Home — Essay Samples — Environment — Natural Environment — Analysis Of What Ecology Is
Analysis of What Ecology is
- Categories: Natural Environment
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Words: 447 |
Published: Feb 12, 2019
Words: 447 | Page: 1 | 3 min read
- Odum, E. P. (2020). Fundamentals of Ecology. Cengage Learning.
- Begon, M., Townsend, C. R., & Harper, J. L. (2006). Ecology: From individuals to ecosystems. Wiley.
- Smith, R. L., & Smith, T. M. (2014). Elements of ecology. Pearson.
- Pimm, S. L. (2001). The world according to Pimm: a scientist audits the earth. McGraw-Hill.
- Krebs, C. J. (2019). Ecology: The experimental analysis of distribution and abundance. Pearson.
- Ricklefs, R. E., & Miller, G. L. (2000). Ecology. Macmillan.
- Gurevitch, J., Scheiner, S. M., & Fox, G. A. (2006). The ecology of plants. Sinauer Associates.
- Keddy, P. A. (2007). Plants and vegetation: Origins, processes, consequences. Cambridge University Press.
- Turner, M. G. (2019). Landscape ecology in theory and practice: Pattern and process. Springer.
- Levin, S. A. (1992). The problem of pattern and scale in ecology: The Robert H. MacArthur Award lecture. Ecology, 73(6), 1943-1967.
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Human Ecology Review: Volume 23, Number 1
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Human Ecology Review is a semi-annual journal that publishes peer-reviewed interdisciplinary research on all aspects of human–environment interactions (Research in Human Ecology). The journal also publishes essays, discussion papers, dialogue, and commentary on special topics relevant to human ecology (Human Ecology Forum), book reviews (Contemporary Human Ecology), and letters, announcements, and other items of interest (Human Ecology Bulletin). Human Ecology Review also publishes an occasional paper series in the Philosophy of Human Ecology and Social–Environmental Sustainability.
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